1960 Fender Vibrasonic Amp 5G13 – Brownface
Out of stock1961 Fender Bassman 6G6-A – White/Maroon
Out of stock1961 Fender Deluxe Amp 6G3 – Brownface
Out of stock1962 Fender Concert Amp 6G12-A – Brownface
Out of stock1962 Fender Deluxe Amp 6G3 – Brownface
Out of stock1962 Fender Deluxe Amp 6G3 – Brownface
Out of stock1962 Fender Deluxe Amp 6G3 – Brownface
Out of stock1962 Fender Princeton Amp 6G2 – Brownface
Out of stock1962 Fender Princeton Amp 6G2 – Brownface
Out of stock1962 Fender Twin Amp 6G8-A – Blond
Out of stock1962 Fender Vibrasonic Amp 6G13 – Brownface
Out of stock1963 Fender Deluxe Amp 6G3 – Brownface
Out of stock
Fender Brownface Amplifiers and Transitional Models (1960–1964)
The Fender Brownface amplifiers, produced from 1960 to 1963, represent a pivotal phase in Fender’s amplifier evolution. Characterized by their distinctive brown control panels and matching brown grille cloth, these amps succeeded the earlier Tweed series and paved the way for the iconic Blackface line.
This era saw significant circuit and tonal improvements, including enhanced clean headroom, refined vibrato circuits, and the introduction of onboard tremolo and reverb effects. Brownface amps are known for their warm, rich tone with smooth tube-driven tremolo (often called vibrato) and natural tube saturation.
Key Brownface models include the Deluxe, Twin, Super, Vibrolux, Vibroverb, and the Vibrasonic. The first Fender Vibroverb, produced exclusively in 1963, featured a powerful 40-watt output with dual 10″ speakers (2×10″), making it Fender’s first amplifier to combine onboard reverb and tremolo effects in a single unit. Later Vibroverb models, from 1964 onward, switched to a single 15″ speaker cabinet.
The Bassman, while often associated with Brownface circuitry, was produced in white (cream) tolex cabinets during this era, commonly paired with Tremolux-style cabinetry and control panels. This combination offered guitarists and bass players a powerful amp with a distinctive look and tone. Similarly, the Tremolux was introduced around 1960, notable for its built-in tremolo and compact design, fitting neatly into Fender’s expanding amplifier lineup. The Vibrasonic, another important model, offered robust power and clear tone, further expanding Fender’s Brownface offerings.
An important transitional model to note is the “Tuxedo” Princeton, produced around 1964 during the shift from Brownface to Blackface designs. This amp combined a Brownface circuit board (often called the “Tuxedo”) with a black tolex cabinet and white control knobs, blending Brownface circuitry with Blackface-era aesthetics.
Fender’s production timelines during the early 1960s featured significant overlap and reuse of parts, which means Brownface circuits and components were sometimes incorporated into early Blackface models. This overlap adds a fascinating layer of complexity for collectors and players, as transitional amps combine elements from both eras.
At Guitar Hunter, we specialize in vintage Fender amplifiers from this crucial period, including rare Brownface and transitional models such as the 2×10″ Vibroverb, white tolex Bassman, Tremolux, Vibrasonic, and Tuxedo Princeton. With deep technical knowledge and passion for Fender’s historic sound legacy, we offer expert appraisal, buying, and selling services tailored for collectors, guitarists, and bass players seeking authentic vintage tone.
